FREDRICK D. KAKINAMI CLOYD is an independent scholar-artist-performer-anti-oppression activist whose work focuses on unraveling forces that interplay between history and the individual in relation to social change. He was born in Japan shortly after the official U.S. Occupation of Japan to a Japanese mother and African-American father in the U.S. military. Cloyd has been published in such publications as Kartika Review, Oakland Word, Nikkei Heritage, and The Pacific Reader, as well as featured on various radio and television programs and interviews. His poetry has been featured at the Japanese National Historical Society and his presentations have been featured in various Asian-American, social justice, Queer-of-Color, Mixed-race, and African-American history websites and publications and has been a public speaker and performer for four decades. He received his Masters in Social-Cultural Anthropology and Social Transformation. In 2017, Fredrick's essay: “On Being a Black-Japanese Amerasian Being,” was published by 2Leaf Press in the anthology: The Beiging of America: Personal Narratives About Being Mixed Race in the 21st Century. His first book: Dream of the Water Children: Memory and Mourning in the Black Pacific, was released by the same publisher in New York in Spring 2018.
Cindy Nakashima has researched and written on the subject of mixed race since the 1980's. Publications include: "An Invisible Monster: The Creation and Denial of Mixed-Race People in America", "Voices from the Movement: Approaches to Multiraciality", and "Asian American Studies Through (Somewhat) Asian Eyes: Integrating "Mixed Race" into the Asian American Discourse". She co-edited the book The Sum of Our Parts: Mixed-Heritage Asian Americans with Teresa Williams-Leon, and co-curated the exhibit "Visible and Invisible: A Hapa Japanese American History", which has shown at the Japanese American National Museum and at the Japanese American Museum of San Jose.